This release, of the best writing software money can buy, is a bit of a dream release for me. It adds two spectacular features:
- Typewriter Mode
- Complete WordPress publishing
Try Ulysses for Free. Do you want to put Ulysses to the test? Download it right now from the App Store! All subscription plans contain a free trial. It is fully functional and syncs to all your Macs, iPads and iPhones. Latest on Heerenveen forward Ulysses Llanez including news, stats, videos, highlights and more on ESPN.
It’s no secret that I love, and use, Ulysses all day long — nor is it a secret that I publish with WordPress and only use iOS. This storm of factors means that I have a very specific set of requirements to make a dream writing app, and The Soulmen (the company behind Ulysses) asked me what I still yearned for in their app. The above features were at the top of my very short list.
https://codegalabonusbeatpokerbingoxvp.peatix.com. I’ve known typewriter mode was coming, but I thought I would never see WordPress support at this level.
The Best WordPress Publishing Money Can Buy
When you run a WordPress site, like the one you are currently reading, what you may not realize is the amount of custom ‘magic’ and hacks that are applied to make things work as they do. It’s nothing unstable or difficult, but it does add to the complexity of publishing. Which is why Workflow is such a godsend — as even the native WordPress iOS app can’t publish a link list post to my site. But Workflow isn’t easy to both setup and use to publish, it’s a hack — albeit a really good one — but still a hack.
The Ulysses team reached out to me and asked what I would need for WordPress publishing to be complete, warning me I wasn’t likely to get any of it. Fair enough.
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Then they sent me a new build and, well, they’ve made the most elegant WordPress publishing system I have seen to date in any app, Mac or iOS. To understand what and why this implementation is so good, I need to show you the complexity of my publishing as an example.
For each post, I need to have the following sent to WordPress:
- Post title
- Post body
- Category (this tells WordPress where the posts show on my site)
- tags (rarely used by me, but tells WordPress if the post should be grouped with any others)
- Excerpt (on my site this shows at the sub heading)
- Post Format (this tells WordPress what the post should look like on the site)
- Linked List URL (if the post is a link post, where does it link to)
For the longest time I had to set all these fields manually or by copying and pasting every time I published. It was tedious and error prone. On my Mac I solved this with scripting. Viticci finally helped me solve this with Workflow and made my input minimal, but still not ideal.
Ulysses takes this support to the next level by automatically filling a lot of these fields for me, and the way it does this is damn clever. Here’s how Ulysses auto-populates the fields:
- Title: the
#
level heading of the post - Category: the first tag you have placed in Ulysses
- Tags: everything after the first tag you used in Ulysses
- Slug: URL friendly version of the post title
- Excerpt: The first ‘note’ you have attached to the document in Ulysses
- Linked list URL: make the title a link, it grabs that link.
Roadblock 1 5 9 – content blocker blockers. From there, the rest of the fields for post formats, dates, and publish status can be set manually and will carry across with those settings each time you publish. This all works really well.
![Ulysses 2 2019 Ulysses 2 2019](https://images-na.ssl-images-amazon.com/images/I/61zn6RqmAoL._AC_SY500_.jpg)
External hard drive ss. There’s two other settings which are awesome too: Happy periods 1 07 – track your menstrual cycle.
- You can choose to have the text sent as Markdown, instead of HTML conversion happening.
- You can tell Ulysses what to do after publishing with the current options being: open post edit screen, view post, or nothing. This is very neat as you can have Ulysses directly launch the WordPress backend, into the post you just published, so that you can make more tweaks there if you want.
Publishing to WordPress is cumbersome, but Ulysses makes the process as seamless and elegant as possible. It supports featured images and more. It took me one try to get used the the publishing flow, and from there I have yet to look back.
This one feature has made Ulysses the only iOS app I truly need in order to blog. So cool.
Ulysses Does Typewriter Mode Better than Anyone
When apps first started coming out with Typewriter modes (where just the line of text you are writing is highlighted) I was immediately drawn to it. Most apps set the active line in a fixed location on the screen/window for the app — and most of the time this is workable — but it is far from ideal. When Ulysses introduced the variable type writer mode I couldn’t stop smiling.
This mode has now come to the iPad and it works flawlessly. Quickly toggled with a keyboard shortcut, the typewriter mode is the feature I have been yearning for. When on, you can scroll the active line of sheet to wherever you want, and the sheet will stay right where you put it, as you pour words on to the page.
Perfection. This is such a seamless and well executed feature — I had really been missing it on iOS.
Polished
There’s plenty more additions to Ulysses Mobile, but those two are stand outs for me as they complete my checklists of needs from the software. Ulysses is now not just one of the best, but one of the most polished writing environments out there for writers on any platform. I’m very excited to see where Ulysses goes next, for now, it’s easily the most useful piece of software on my iPad.
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Stephen remembers the Jewish merchants standing outsidethe Paris stock exchange. Stephen again challenges Deasy, askingwho has not sinned against the light. Stephen rejects Deasy’s renderingof the past, and states, “History is a nightmare from which I amtrying to awake.” Ironically, a goal is scored outside in the hockeygame as Deasy speaks of history as the movement toward the “goal”of God’s manifestation. Stephen counters that God is no more than“a shout in the street.” Deasy argues first that all have sinned,then blames woman for bringing sin into the world. He lists womenof history who have caused destruction.
Ulysses 2012
Deasy predicts that Stephen will not remain at the schoollong, because he is not a born teacher. Casinos cant stop you. Stephen suggests that hemay be a learner rather than a teacher. Stephen signals the endof the discussion by returning to the subject of Deasy’s letter.Stephen will try to get it published in two newspapers. Stephenwalks out of the school, pondering his own subservience to Deasy.Deasy runs after him to make one last jab against the Jews—Irelandhas never persecuted the Jews because they were never let in tothe country.
Ulysses 2 2016
Analysis
Ulysses 2 2019
History is a nightmare from which I amtrying to awake. Cacino on net.
Ulysses 2 2nd
See Important Quotations ExplainedEpisode Two, “Nestor,” takes place at the boys schoolwhere Stephen teaches. It is a half-day for the students and Stephenwill leave for the day after he teaches his class and is paid byMr. Deasy. The episode focuses on teaching and learning. We seeStephen positioned first as a teacher and then as a student in hisconversation with Mr. Deasy. The subject of both educational scenesis history, and history as linked to memory. Stephen’s history lessonfor his class relies on their memory of learned historical facts.Mr. Deasy’s impromptu history lesson for Stephen is anchored byDeasy’s own personal memories of historical events. Stephen himselfresists the linking of history with memory. For Deasy to definehistory in terms of his personal recollections affords him too muchcontrol over the reconstruction of it (thus do Haines and Deasyuse history to absolve themselves of responsibility). For Stephen,history is something that he cannot control: “History is a nightmarefrom which I am trying to awake.” Stephen’s statement refers bothto his grappling with the circumstances of his own past, and tothe philosophical problem of how history should be used to understandpresent circumstances.
Part of Stephen’s personal history that has nightmarishly,though subtly, plagued him through this episode and the first ishis mother’s death. Stephen’s unsolvable riddle about the fox buryinghis grandmother suggests this personal pain. As he tutors Sargent,Stephen’s ruminations about a mother’s love and love for one’s motheralso evoke her absence and stand in contrast to Deasy’s later misogyny. Stephen’simagination of a mother’s love creates a moment of compassion andallows for an effective teaching between Stephen and Sargent. Otherwise,Stephen’s interactions with his students have been distracted andcryptic. Stephen himself credits Deasy with accuracy when Deasyintuits later in the chapter that Stephen was not born to be a teacher.
On the whole, Deasy seems pompous and self-righteous.We are prepared for the didactic nature of Deasy’s conversationwith Stephen by our first glimpse of Deasy on the hockey field,yelling at the students without listening to them. Deasy is unperceptive—mistakenlyassuming that Stephen is Fenian, he launches into a history lecture.The purpose of this lecture is less to teach than to assert authority,an authority that is undermined by several factual errors that Deasymakes. Like Haines, Deasy (a Unionist from the north) is pro-Britishas well as anti-Semitic. Just as Haines used history to clear himselfof blame in Episode One (“It seems history is to blame”), so Deasyuses history to blame others, notably Jews and women.
This prelude of anti-Semitism will be evoked later inthe day, as Jewish Leopold Bloom faces similar bigotry. Deasy’santi-Semitism rests on his sense that the mercantile Jews have broughtdecay to England. According to Deasy, the Jews have sinned against“the light,” the light being those Christians who understand historyas moving toward one goal—the manifestation of God’s plan. But the presentationof Deasy’s character undermines his own convictions. Instead ofChristianity and light, Deasy himself deals in coins and materialgoods. His moralistic color scheme, in which good Christians arelight and dangerous Jews are dark, is not to be the color schemeof Ulysses, in which the two heroes, Stephen andBloom, are dressed in black, and the dangerous characters, suchas Buck Mulligan, are associated with brightness.